Stéphane CHAVANIS: Photographs - conceptual art

Stéphane CHAVANIS: Photographs the Flesh, text David le Breton

Stephane CHAVANIS: Photographs - rotted fruits

Stéphane CHAVANIS : motor bike photographs

 
Photo The flesh - Text David LE BRETON
   

But man never escapes the flesh ; for better or for worse, he is endebted to it for his movements, his words, his sensorial perceptions, his thoughts, or simply his encounter with the other. Such is the power of these nudes photographed by Stéphane
Chavanis that they clash with the usual norms of seduction and portray bodies which are simultaneously heavy and tranquil, abandoned, lacking in seduction because lacking in the desire to seduce. Their faces stare at us, we feel expectation, but no certainty that something will arrive to fulfill it. This is not desire. These naked women are in anything but a position to welcome the other, even if, paradoxically, their suspended and unaccustomed movement is directed at another. They are performing, bearing witness not to a pause, but to a questioning waitfulness. Nudity is tolerable when neutralized by a code and confined in a place (an erotic magazine for example); otherwise, the uneasiness it creates ends up highlighting the social values they disrupt, transforming the viewer into a voyeur. These nude images convey scarcely any eroticism, or rather they leave it suspended. No invitation is sensed, no smile renders them attractive; these women are disquieting, nothing in their attitude conveys a welcome to the eye

Stéphane CHAVANIS: Photographs the Flesh, text David le Breton fig XV

 

gazing at them. Sensuality is no doubt present, but by default.

 
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